Runtime: 2hr 8min
Director: Damien Chazelle
Release Date: 12th January 2017
Rating: 12A (UK), PG-13 (US)
Critically acclaimed and currently totalling 14 Oscar Nominations, 11 BAFTA Nominations, and 7 Golden Globe wins, musical La La Land is not as incredible as you would expect. Myself and guest writer Natasha tell you why...
Plot Summary
La La Land's centres on Seb (Ryan Gosling), an overqualified restaurant pianist with a penchant for Jazz, and Mia (Emma Stone), an aspiring actress lacking in successful auditions. Upon meeting, Mia and Seb push each other to make their struggling dreams a reality, and the movie follows how their relationship moulds as they attempt to reach their goals.
He Said...
Damien Chazelle, director of La La Land, clearly knew with this project that he was on to a winner; but why did he have to make such a song and a dance about it?! With its' dazzling aesthetic and charm, it is difficult to imagine La La Land going home empty-handed at this years' Academy Awards, particularly for costume design and cinematography. Emma Stone clearly the star of the show, I felt Ryan Gosling's performance was not particularly special, nor any of the rest of the cast bar Stone. For its' praised musical elements, certain shots (and songs) were overused at times - every other song, it appeared, would open with dimmed lights and a spotlight on the performer (*eye roll*). Perhaps due to the overwhelming acclaim it has already received, my expectations were set high - and La La Land was not the solid 10/10 I had hoped it to be. The plot itself wasn't overly ambitious, and through all its glitz and retro glamour had an aura of arrogance despite being far from perfect.
7/10
She Said..
Did I like La La Land? Of course! Did I love it? Hmm, perhaps not.. With fantastic use of colour and costumer, as well as a hint of Baz-Luhrmann-esque beauty in its' shots and cuts, the storyline and catchy songs kept my intrigue until the end. But whilst I understand some of the hype, I can't help but feel it could have been a little less pretentious. This self-indulgent piece of cinema portrayed a bland Ryan Gosling, some fairly odd pacing (or total lack there-of), and an unusual, disappointing lack of chemistry between Gosling and Stone. Emma Stone was breath-taking as ever - endearing, gawky and not afraid to laugh at herself - but I felt paired with far too 'Hollywood' a role. The films' music (think 20's speakeasy & Parisian jazz cafe contrasted with blatant cheese), whilst catchy, was paired with some fairly mediocre singing and dancing. The whole thing just seemed a bit unnecessary, and its' overzealous approach to the arts just reminded me of the movie Midnight in Paris (FYI, not a favourite of mine). My final words? Over-hyped but a fun ride.
